I start each piece by cutting parts out of boards, or some times one board. It’s a stressful time in the process of making furniture. I have a limited amount of material and have to make the best decisions regarding grain and figure. I’ll be working on these parts for a while and when it’s finished the parts will be that way forever.
Then there is a point where the parts start to take shape. The goal is to make each part like it was made of the same piece of wood. The grain should do the same thing in the same place on every leg, post or crest rail. It’s hard to do. You have to be sure the growth rings are facing the same way when cutting out the shapes. Things start to happen quickly at this stage.
This is my favorite time at the shop. Joints have already been cut and can be assembled. The board starts to come back together again and look as if it is completely natural. I’m no longer making smaller boards, I’m making arms, legs, feet!
It is a small detail, but I think it makes this simple little box something special. This piece is based on a early Queen Anne box but I’ve pushed it a little further back to William & Mary. An interesting time for cabinet makers. In fact it was when cabinet makers started to come into their own. Before then they were called joiners and would have also been building houses and using the same “joinery” for both.
So here we have a box that is nailed together with a dovetailed drawer inside. The top is covered with walnut crotch veneer and edged with walnut cross banding. The drawer front and sides are solid, highly figured walnut. The drawer sides are made of sassafras, a local aromatic hardwood.
Oh, so the detail. It’s the hand cast brass hardware. They help give an interesting rhythm,with the feet, to the facade.